Melbourne · Boutique Finishing Studio

High-End Post-Production Finishing

Creative finishing, technical certainty and delivery confidence: from first grade to final master.

ABC SBS Stan Prime Video Channel 7 Channel 9 Channel 10 ESPN Label Distribution Post Lab.io Guilty Positive Ape

The Studio

Built on craft.

25+
Years Experience
C.S.I.
Member
AI
Production Pipeline

Complete finishing. Zero compromise.

TP Studio is a Melbourne-based boutique finishing studio led by Thanassi Panagiotaras C.S.I., with 25 years of experience across feature film, documentary, television, streaming, branded content and campaign production. Colour, online, mastering, deliverables and AI production handled as one connected finish, so nothing falls through the gap and nothing leaves until it's right.

Longform credits include Stan, ABC and Amazon Prime Video. Brand and campaign work spans every major Australian network and international clients across broadcast, cinema and digital.

C.S.I. Member, Colourist Society International


About the Studio →

The Standard

How the studio works

Four principles that define every project, regardless of format, budget or deadline.

01
The Grade Serves the Story

Every grading decision starts with what the project needs. Not a preset, not a trend. The look is built from the material and shaped around the narrative intent.

02
Spec Is Not Negotiable

Every platform, every format, every delivery requirement is met precisely. The studio treats technical delivery as a creative responsibility, not an afterthought.

03
One Studio Holds the Finish

Colour, online, mastering and AI material are handled inside one operation. No gaps between departments. No version confusion at delivery. The project moves through as one continuous conversation.

04
AI Is a Production Tool, Not a Gimmick

Synthetic and hybrid material is adopted where it solves a real problem within a real budget. It is then graded, finished and delivered to the same standard as any other source. It ships.

Services

The full finishing pipeline

01

Colour Grading

Creative, technically precise colour grading for feature film, documentary, television, streaming and branded content. Every grade is shaped for story, consistency, skin tone and final delivery.

02

Online Editing & Finishing

Full online conform and finishing through VFX ingest, archival restoration, titles, clean-up and delivery-ready output. Built to protect the edit and carry the project safely through to delivery.

03

Mastering & Deliverables

Platform-ready masters for broadcast, cinema, streaming and digital release. DCPs, ProRes, IMF, broadcast masters and captions handled with precision so every project leaves the suite correctly.

04

Offline Editing

Offline editing for select projects, from narrative and documentary through to branded content and independent. Twenty-five years of that discipline applied across every format that matters.

05

AI & Synthetic Production

AI-generated image and video for production and post-production workflows, from fully synthetic executions and hybrid pipelines to campaign content and branded delivery.

The Nullarbor

Feature Documentary · Director: Stephen Amis · Revolution Pictures · Label Distribution

Exploring decades of UFO encounters on the Nullarbor Plain, centred on the 1988 Knowles family incident. Fully synthetic AI reenactments developed and integrated throughout, graded and finished to broadcast standard. TP Studio is AI production lead, colourist, online editor and delivery specialist.

AI Production Lead Colourist Online Editor Mastering & Deliverables
The Nullarbor

Testimonials

What collaborators say

"He always gets us across the line, whether for cinema, broadcast, or streamers."

Stephen Amis
Revolution Pictures

"Thanassi has performed miracles across multiple roles on every project we've worked on together."

Tait Brady
Label Distribution

"A rare blend of technical mastery and creative intuition."

Darius Faily
Post Lab.io

"The best colourist I've worked with in Australia."

Shaun Herbertson
Huddle Productions

Get in touch

The finishing partner
producers come back to.

If the project needs to look right, pass spec and get delivered properly, start a conversation.

Start a Conversation → View the Work →

Selected Work

Selected work across feature film, documentary, commercials, branded content, festivals and independent production.

Darklands
Darklands
Stan AU / Amazon Prime Video
Suzi Q
Suzi Q
Feature Documentary: Suzi Quatro
Love in Bright Landscapes
Love in Bright Landscapes
Documentary: The Triffids and David McComb
Gatwick: The Last Chance Hotel
Gatwick: The Last Chance Hotel
ABC Australia
Jarracharra
Jarracharra
Teaser Documentary
Colourist
The RIP
The RIP
Feature Film
Colourist
Abebe Butterfly Song
Abebe Butterfly Song
Feature Documentary
Colourist, Online Editor, Mastering and Deliverables
Land Rover Defender
Land Rover Defender
Land Rover
Colourist
Bonds Wondercool
Bonds Wondercool
Bonds
Colourist
Cadbury Countlines
Cadbury Countlines
Cadbury
Offline Editor, VFX, Colourist, Online Editor, Mastering and Deliverables
Epson EcoTank
Epson EcoTank
Epson
Colourist, VFX
Dare
Dare
Dare Iced Coffee
Colourist
Shannons
Shannons
Shannons Insurance
Colourist
Tourism Western Australia
Tourism Western Australia
Tourism Western Australia
Colourist
SBS Inclusion
SBS Inclusion
SBS
Offline Editor, Colourist, Online Editor, Mastering and Deliverables
Coopers Vintage Ale
Coopers Vintage Ale
Coopers
Offline Editor, Colourist, Online Editor, Mastering and Deliverables
Dairy Australia
Dairy Australia
Dairy Australia
Colourist
Brightgreen
Brightgreen
Brightgreen Lighting
Offline Editor, VFX, Colourist, Online Editor, Mastering and Deliverables
Cadbury Favourites
Cadbury Favourites
Cadbury
Offline Editor, Colourist, Online Editor, Mastering and Deliverables
ARB: The Old Days
ARB: The Old Days
ARB 4WD Accessories
Colourist
Jenny Craig
Jenny Craig
Jenny Craig
Colourist
Wild Secrets
Wild Secrets
Wild Secrets
Colourist
Hotel Karen
Hotel Karen
Hotel Karen Resort, China
Offline Editor, Colourist, Online Editor, Mastering and Deliverables
Nylex
Nylex
Nylex
Offline Editor, Colourist, Online Editor, Mastering and Deliverables
Adriatic Furniture
Adriatic Furniture
Adriatic Furniture
Colourist
RACV Resorts
RACV Resorts
RACV Resorts
Colourist
Ocean Spray
Ocean Spray
Ocean Spray · Agency: The Reactor
Offline Editor, Motion Graphics, Colourist, Online Editor, Mastering and Deliverables
The Blind Factory
The Blind Factory
The Blind Factory
Colourist
Bitcoin Explained
Bitcoin Explained
VIRAL — 4M+ views, shared by Elon Musk
Offline Editor, Colourist, Online Editor, Mastering and Deliverables
There's a Mobster Under My Bed
There's a Mobster Under My Bed
Short Film: Tropfest Finalist
Colourist
Shakespeare Republic
Shakespeare Republic
Web Series: Multiple Festival Credits
Colourist, Online Editor, Mastering and Deliverables
Fake It Till You Make It
Fake It Till You Make It
Vertical Episodic Series
Post Production Coordinator, Offline Editor, Colourist, Online Editor, Mastering and Deliverables

Showing all 32 projects

Broadcast, Streaming & Brand Clients
ABC SBS Channel 7 Channel 9 Channel 10 ESPN Stan Prime Video Label Distribution Post Lab.io Positive Ape Guilty Cadbury Land Rover Bonds Coopers Shannons Epson Ocean Spray RACV Resorts Tourism WA Dairy Australia Jenny Craig Zoos Victoria

Seen enough? Start a conversation.

Talk Through Your Project →

The Full Finishing Pipeline

Services

01
Colour Grading

Creative, technically precise colour grading for feature film, documentary, television, streaming and branded content. From naturalistic balance to stylised look development, every grade is shaped for story, consistency, skin tone and final delivery. Graded in DaVinci Resolve Studio on a fully calibrated reference monitor, to any broadcast or streaming specification.

Feature Film Documentary Television Streaming Branded Content Remote Sessions

Full online conform and finishing through VFX ingest, titles, captions, clean-up, final picture polish and delivery-ready output. Archival and mixed-format material restored as part of the conform before colour. Built to protect the edit and carry the project safely through to delivery.

Conform Archival Restoration VFX Integration Clean-Up Titles & Credits Final Picture Polish
02
Online Editing & Finishing
03
Mastering & Deliverables

Platform-ready masters for broadcast, cinema, streaming and digital release. Exports, technical specs, captions, DCPs and delivery packages handled with precision so every project leaves the suite correctly. Every major Australian broadcaster, streaming platform and international distributor covered.

Broadcast Masters DCP Streaming Deliverables IMF Packages Captions

Offline editing for select projects. The craft is narrative, shaping material into something that holds, moves and lands. Twenty-five years of that discipline applied across every format that matters, from feature film to campaign content. Available as a standalone service or as part of a full post pipeline from offline through to delivery.

Narrative Documentary Branded Content Independent
04
Offline Editing
05
AI & Synthetic Production

AI-generated image and video for production and post-production workflows, from fully synthetic executions and hybrid pipelines to campaign content and branded delivery. Designed to cut, match, grade and deliver to spec. Not a novelty add-on. A production capability.

Synthetic Production Hybrid Pipelines Narrative Documentary Branded Content

Ready to finish your project?

Tell us about the project and we'll work out the right approach.

Talk Through Your Project →

Founder · TP Studio

About

Thanassi Panagiotaras
Thanassi Panagiotaras
Post-Production Finishing Specialist
Melbourne, Australia
C.S.I. Member, Colourist Society International

Thanassi Panagiotaras C.S.I. is a Melbourne-based post-production finishing specialist and founder of TP Studio, with 25 years of experience across colour grading, online editing, mastering, deliverables, archival restoration and AI and synthetic production. His work spans feature documentary, broadcast television, streaming platforms, branded content and campaign production.

He came into the industry at the exact moment it flipped from analog to digital. His first tools were Final Cut Pro 1, After Effects 1, Premiere before it was Pro, and miniDV. He didn't inherit a career. He built one from the ground up, learning compositing, motion graphics, and offline editing through sheer obsession with the craft.

After completing a video production course and co-founding a production company through the early 2000s, he joined La Trobe University in 2004 as part of a full studio production team. For ten years the work was daily and relentless: multi-camera shoots, live switching, location sound, camera work, post production across every format the era could produce. It built a technical foundation most practitioners never get.

It was at La Trobe that colour grading became an obsession. Apple's Final Cut Studio introduced Color, a node-based grading application, and Thanassi was immediately drawn in. When Apple killed Final Cut Studio and Color along with it, he found DaVinci Resolve 9 and started putting himself through training on his own time and at his own expense. Master class after master class, working colourists at the top of the industry. By the time he left La Trobe in 2014, with a redundancy package that gave him the runway to go independent, he was ready.

His first freelance job was a feature film as colourist. He hasn't looked back.

Since 2014, operating as TP Studio, he has finished longform projects for Stan, ABC, and Amazon Prime Video, graded campaigns for major Australian and international brands, and delivered broadcast-ready work to every major Australian network. His credits span the full post pipeline: offline editing, colour grading, online finishing, archival restoration, mastering, and deliverables, often as the sole finishing specialist across a project from first assembly to final delivery.

The archival restoration work deserves particular mention. On Suzi Q, Love in Bright Landscapes and Abebe Butterfly Song, he spent hundreds of hours processing decades-old documentary footage: Betacam, standard definition and interlaced material from the 80s, 90s and early 2000s, processed frame by frame and brought up to a standard that held up on cinema screens and streaming platforms. TP Studio brings older, damaged or mixed-format footage into modern finishing pipelines through restoration, colour correction, clean-up, online finishing and delivery. It is painstaking, technically demanding work that requires both technical care and visual sensitivity. Most finishing houses won't take it on.

The AI integration came in late 2025, not from curiosity about the technology but from a client brief that demanded it. An Ocean Spray campaign for Spencer Street Station in Melbourne required animated product reveals across three physically separate screens treated as a single continuous display. There was no footage, only stills. He identified, evaluated and deployed AI generation tools under live production conditions and delivered on deadline. That first job opened the door to a discipline that has since become a core part of the studio offering.

He is now the AI production lead on The Nullarbor, a feature documentary directed by Stephen Amis, where fully synthetic AI-generated reenactments of the 1988 Knowles family UFO incident are being produced and integrated into a broadcast-standard pipeline alongside traditional documentary footage.

Post Production
DaVinci Resolve Studio · Premiere Pro · After Effects · Photoshop

AI Pipeline
Higgsfield · Kling · Seedance · ElevenLabs · Suno · Topaz Video AI · ACE Studio

TP Studio is a fully calibrated boutique post-production studio operating from Melbourne. It is not a freelancer with a laptop. It is a specialist operation with 25 years of craft behind it, capable of taking a project from first cut to final delivery and now, from concept to synthetic image.

Career Arc

How I got here

2000

Entry into Post-Production

The industry was mid-flip from analog to digital. First tools: Final Cut Pro 1, After Effects 1, Adobe Premiere, miniDV. Compositing, motion graphics, and offline editing became the foundation. Live directing and multi-camera switching experience developed early.

2001–2004

Real Time Audio Visual Entertainment

Co-founded a production company with five collaborators. Corporate production, live event coverage, and VJ work, creating real-time video content for major festivals. The full production workflow, worn all at once.

2004–2014

La Trobe University

Ten years as part of a full studio production team. Multi-camera shoots, live switching, location sound, camera work, post production across every format the era could produce. Thousands of hours at volume. Colour grading interest developed here, through Apple Color and then DaVinci Resolve 9, pursued independently, on personal time, at personal expense.

2014

Went Independent

A university restructure and redundancy package provided the runway. First freelance job: a feature film as colourist. TP Studio established.

2014–Present

TP Studio

Boutique post-production finishing. Colour grading, online editing, mastering and deliverables, offline editing for select clients. Credits include Stan, ABC, Amazon Prime Video, and every major Australian broadcast network. Archival restoration on multiple feature documentaries. Tropfest finalist x2, St Kilda Film Festival, international festival credits. Member, Colourist Society International.

Late 2025–Present

AI Integration

Adopted AI image and video generation under live production conditions, on a client brief with a hard deadline. Developed hybrid AI and traditional pipelines for broadcast-viable results. Currently AI production lead on The Nullarbor, a feature documentary with fully synthetic AI reenactments integrated into a broadcast-standard pipeline.

Built for productions that need more than a handoff.

Taste, technical control and a clear path to final delivery.

Start a Conversation →

Case Studies

Selected case studies showing how TP Studio solves real production, post-production and finishing challenges across campaign content, broadcast delivery, AI-generated material and feature documentary workflows.

Ocean Spray · The Reactor

Spencer Street Station, Melbourne

Delivered: Q1 2026 · AI campaign production · 3-screen OOH installation

01

The Brief

Two 15-second branded content executions for transit screens at Spencer Street Station. Three physically separate screens treated as one continuous canvas: Screen 1 (9:16), Screen 2 (9:16), Screen 3 (16:9). Base assets were photoshoot stills only, no footage.

The Challenge

Creating fluid, continuous motion across three screens with different aspect ratios, from static images, under a live production deadline, using tools being evaluated simultaneously for the first time.

The Workflow

Two animated executions developed simultaneously under live production conditions. The Clock: an AI-generated alarm clock travelling across all three screens, exploding on Screen 3 into a pack shot reveal. The Cranberry Stream: an AI-generated juice stream crossing all three screens, hitting the floor on Screen 3 and rising into a bottle reveal. The brief would traditionally have gone to a specialist 3D artist. Over the Christmas period, with budget and time constraints ruling that out, AI generation tools were identified and evaluated as an alternative approach. It was TP Studio's first active exploration of AI video generation, conducted under a live production deadline.

Ocean Spray Spencer Street Station

The Result

Delivered on deadline in Q1 2026 for installation at Spencer Street Station, Melbourne. Multi-screen installations treated as a single continuous canvas require careful motion planning across all formats simultaneously. AI generation is well-suited to creating physically impossible motion paths that would be prohibitively expensive to produce practically.

TP Studio Role: AI Motion Development · Editing · Colour · Finishing · Deliverables

ABC · Production: Positive Ape · Agency: The Reactor

Gruen: The Pitch

4-day turnaround · Offline edit · Colour grade · Online finish · Broadcast delivery

02

The Brief

Produce a finished TVC for Gruen's The Pitch segment on ABC. Rushes delivered Thursday evening. Broadcast-ready master required Tuesday morning. Four days from raw footage to air.

The Challenge

The footage was shot on a heavily overcast beach day. The brief required sunny beach. Every frame needed to work against what the camera recorded. Editorial shape, colour grade, online finish and broadcast delivery all inside an immovable deadline.

The Workflow

Rushes arrived Thursday night. Friday through Sunday: offline edit, agency revision rounds, picture lock. Monday afternoon: locked edit approved. Monday night through 3:30AM: colour grade and online finish. Tuesday 8AM: approval. Delivered to ABC before 9AM Tuesday morning.

Gruen: The Pitch

The Result

Delivered on deadline. Broadcast on ABC. The spot won The Pitch for that episode. Fast turnaround is not just about speed: it requires editorial judgement, clear communication, technical confidence and the ability to protect the finish when the delivery date cannot move.

TP Studio Role: Offline Edit · Agency Revisions · Colour Grade · Online Finishing · Broadcast Delivery

The Nullarbor · Feature Documentary

Documentary AI Pipeline

Production and post running concurrently · Director: Stephen Amis · Label Distribution

03

The Brief

Feature documentary centred on the 1988 Knowles family UFO incident on the Nullarbor Plain. The incident has never been filmed. The production required fully synthetic AI reenactments, integrated into a traditional broadcast-standard documentary pipeline alongside real location footage.

The Challenge

Integrating a full AI production pipeline across an entire feature documentary, where synthetic material spans six distinct categories: historical reenactments, protagonist encounters, surreal and expressionistic sequences, period illustrations, production gap fills, and composited interview environments. Every category of AI-generated material has to cut, match, grade and deliver to broadcast standard alongside real location footage shot across two weeks on the Nullarbor Plain.

The Workflow

AI generation is not supplementary B-roll. It is embedded throughout the film from the first frame to the last. The six production categories in active development: the full multi-scene Knowles reenactments including the chase, the car becoming airborne and the family in scrub; Clark's own UAP encounter recreation; cosmos and surreal sequences including the Cocklebiddy sinkhole; historical illustrations covering Australian UFO incidents from 1947 to 1985 where no archival footage exists; production gap fills covering A-roll and B-roll that couldn't be captured on location; and AI-generated environments for archive interview compositing.

Generated using the latest AI image and video models from OpenAI, Google, Kling and Seedance, alongside specialist tools selected for specific production requirements as the pipeline evolves. All AI-generated material colour graded to match real location footage and finished to broadcast standard. Colour, online, mastering and deliverables handled as one continuous operation.

Selected frames from the AI production pipeline. In production.

Clark Watson, AI-generated A-roll, flight to Perth

Clark Watson, AI-generated A-roll. Flight to Perth.

Patrick Knowles, fully synthetic period reconstruction, 1988

Patrick Knowles, fully synthetic period reconstruction. 1988.

Cocklebiddy Roadhouse, AI-enhanced location shot

Cocklebiddy Roadhouse. AI-enhanced location footage.

Clark Watson, expressionistic sequence, driving on the ocean

Clark Watson, expressionistic sequence. The Nullarbor was once an ocean.

The Result

Production and post running simultaneously. Full case study to be published on release of The Nullarbor. This project represents the most complex AI production pipeline TP Studio has undertaken: fully synthetic reenactments of a real historical event, integrated into a broadcast-standard feature documentary alongside active location production.

TP Studio Role: AI Production Lead · Synthetic Reenactments · Colour Grade · Online Finishing · Mastering & Deliverables

Have a production problem to solve?

Talk through the project and we'll work out the right approach.

Start a Conversation →

Ready to finish your project?

Get In Touch

Start a conversation.

Need a colourist, online editor, finishing partner, delivery specialist or AI production pipeline? Send through the project details and TP Studio will help work out the cleanest path to final delivery.

  • Location Melbourne, Australia
  • Phone 0413 897 174
  • Website tpstudio.com.au
  • Studio Calibrated boutique finishing suite, Melbourne
    Remote and attended sessions available by arrangement
  • Member Colourist Society International (C.S.I.)
  • Services Colour · Online · Mastering
    Offline Editing · AI Production

For urgent finishing, delivery or campaign deadlines, include the required delivery date in your message.

I typically respond within one business day.