Two 15-second branded content executions for transit screens at Spencer Street Station. Three physically separate screens treated as one continuous display Screen 1 (9:16), Screen 2 (9:16), Screen 3 (16:9).

Campaign 1 The Clock: AI-generated alarm clock flying across all three screens, explodes on Screen 3 revealing Ocean Spray pack shot (three bottles).

Campaign 2 The Cranberry Stream: AI-generated cranberry juice stream travelling across all three screens, hits floor on Screen 3, bottles rise from floor for pack shot.

Base assets: photoshoot stills. Tools used: Adobe Firefly · Runway · Google Flow · Higgsfield · Kling 2.6. First live production AI job tools were actively evaluated and tested simultaneously under live production conditions.

Client: CMC Markets (stock trading app). Campaign: Saint Kilda Football Club sponsorship featuring major AFL players.

The Problem: Footage shot on a heavily overcast day flat lighting, no shadows, no depth. Unusable as-is for a broadcast campaign.

Attempt 1 (failed): Kling 2.6 Edit used to replace weather and lighting across full clips. Fast motion footballers running, kicking returned as mushy, detail-destroyed footage.

Solution Hybrid Pipeline:

1. Kling 2.6 Edit applied to clips with players removed generated clean weather-replaced background plates.
2. Original camera rushes used for player footage.
3. Players rotoscoped and masked from original.
4. Original-quality players composited back onto AI backgrounds.
5. Colour graded and finished to broadcast standard.

The brief: produce a finished TVC for Gruen's The Pitch segment on ABC. The agency, The Reactor, delivered rushes on a Thursday evening. Four days to picture lock, grade, and deliver broadcast-ready masters.

Thursday night the files arrived. Friday through Sunday was the edit, working through agency rounds and revisions until picture was locked with approval on Monday. Monday night was the grade, running through to 3AM Tuesday. The ABC delivery deadline was Tuesday morning. It made it.

The spot won The Pitch for that episode.

Feature documentary centred on the 1988 Knowles family UFO incident on the Nullarbor Plain. Director: Stephen Amis. Distributor: Label Distribution.

B-roll generation · A-roll generation · Fully synthetic reenactments of the 1988 Knowles family incident. The most complex AI production challenge of the project: a night-time car chase across the Nullarbor with a pursuing craft, a car becoming airborne, and a family hiding in desert scrub.

Pipeline: Nano Banana Pro + Nano Banana 2 (image generation, start frames, character reference sheets) · Kling 3 · Seedance 2 (video generation). All AI-generated sequences graded to match real location footage and finished to broadcast standard.